首页 | 本学科首页   官方微博 | 高级检索  
     

中国服色崇拜的审美发展
引用本文:刘佟. 中国服色崇拜的审美发展[J]. 成都纺织高等专科学校学报, 2008, 25(4): 35-37
作者姓名:刘佟
作者单位:成都纺织高等专科学校服装与工艺美术系,成都,611731
摘    要:中华民族对于色彩的独特感知,始于原始神话时期。从原始蒙昧期到夏商周乃至秦汉时代,在那漫漫长途的色彩发现与感悟的审美历程中,中华民族有着“一二四五”式的色彩图腾崇拜的演进。“一二四五”简单说来,即一是红色,二是黑白二色,四是青红白黑四色,五是青红白黑黄五色。

关 键 词:服饰  色彩  文化

Aesthetic Development of China's Clothing Color Worship
LIU Tong. Aesthetic Development of China's Clothing Color Worship[J]. Journal of Chengdu Textile College, 2008, 25(4): 35-37
Authors:LIU Tong
Affiliation:LIU Tong ( Chengdu Textile College, Chengdu 611731 )
Abstract:Chinese unique perception of color can be traced back to ancient myth period.During the long journey of discovering colors and appreciating aesthetic since primitive barbaric age to civilized Xia and Zhou dynasties,to Qin and Han dynasties,Chinese people have formed historic evolution of color totem worship named "one,two,three and five colors patterns".In a word,one color stands for red,two colors stand for black and white,three colors stand for blue,red,white and black and five colors stand for blue,red,white,black and yellow.
Keywords:China  clothing decoration  color  culture  
本文献已被 CNKI 维普 万方数据 等数据库收录!
设为首页 | 免责声明 | 关于勤云 | 加入收藏

Copyright©北京勤云科技发展有限公司  京ICP备09084417号