| 徐渭《狂鼓史》和沈自徵《鞭歌妓》比较:乔装、角色和存在 |
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| 引用本文： | 司徒秀英. 徐渭《狂鼓史》和沈自徵《鞭歌妓》比较:乔装、角色和存在[J]. 徐州工程学院学报, 2007, 22(7): 5-10 |
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| 作者姓名： | 司徒秀英 |
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| 作者单位： | 香港岭南大学,香港,000852 |
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| 摘 要： | 本文将讨论《狂鼓史》和《鞭歌妓》两个杂剧怎样利用"乔装"创造"虚拟的角色"和"虚拟的存在"的意义,进而探索两个剧作表达"平衡"和"超越"主题的可能性。
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| 关 键 词： | 《狂鼓史》 《鞭歌妓》 乔装 虚拟的角色 虚拟的存在 |
| 文章编号： | 1673-0704（2007）07-0005-06 |
| 修稿时间： | 2007-06-15 |
Comparison of Xu Wei''''s History of Violent Drum and Chen Zi-zheng''''s Whipping the Singing Girl: Disguise, Role and Existence |
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| SITU Xiu-ying. Comparison of Xu Wei''''s History of Violent Drum and Chen Zi-zheng''''s Whipping the Singing Girl: Disguise, Role and Existence[J]. Journal of Xuzhou Istitute of Technology, 2007, 22(7): 5-10 |
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| Authors: | SITU Xiu-ying |
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| Affiliation: | Hong Kong Lingnan University , Hong Kong 000852 ,China |
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| Abstract: | This paper gives a study of the significance of the creation of"virtual role"and"virtual existence"through disguise as practiced in the Zaju of History of Violent Drum and Whipping the Singing Girl.Then the paper proceeds to explore the possibility of the two Zajus'expression of the themes of"bal- ance"and"transcendence". |
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| Keywords: | History of Violent Drum Whipping the Singing Girl disguise virtual role virtual existence |
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