如将不尽,与古为新——《莫高窟唐代团花纹样研究》评介

《莫高窟唐代团花纹样研究》选取莫高窟唐代团花纹样,结合唐代政治和文化生态的变迁,对团花的形式语言演变展开探索性研究。此书将莫高窟团花纹样的研究范畴设定在莫高窟唐代四个时期,分别展开团花纹样形式语言、特征变迁等方面的探讨,并阐述它们之间的差异化、同质化和艺术效果呈现,对其造型和结构特征进行梳理,建设性地采用解构式、量化分析研究方法,系统地对团花纹样展开调查和研究,归纳总结出唐代四个时期团花纹样造型演变特点、纹样表意特征的变迁等,并进一步从文化历史层面对团花纹样个体和集群变迁表现进行深入挖掘。此外,作者从横向角度比对唐代同时期世俗工艺美术团花案例,并分析其与现当代设计的共通性。

If it will be Endless,it will be New with the Old--Review of the Study of Tang Dynasty Tuanhua Patterns in Mogao Grottoes

the study of Tang Dynasty Tuanhua patterns in Mogao Grottoes selects the Tang Dynasty Tuanhua patterns in Mogao Grottoes,and makes an exploratory study on the formal language evolution of Tuanhua in combination with the changes of politics and cultural ecology in the Tang Dynasty.This book sets the research category of the Tuanhua pattern in the Mogao Grottoes in the four periods of the Tang Dynasty,respectively discusses the formal language and feature changes of the Tuanhua pattern,and expounds the differentiation,homogenization and artistic effect presentation between them.Sort out its shape and structural features,and constructively use deconstruction and quantitative analysis methods to systematically investigate and study the Tuanhua patterns.This paper summarizes the evolution characteristics and the changes of the ideographic characteristics of the Tuanhua pattern in the four periods of the Tang Dynasty,and further excavates the individual and cluster change performance of the Tuanhua pattern from the cultural and historical level.In addition,the author compares the secular arts and crafts Tuanhua patterns cases of the same period in the Tang Dynasty from a horizontal point of view,and analyzes its commonality with modern and contemporary design.