| 试论笔墨的肌理与肌理的笔墨 |
| |
| 引用本文： | 袁牧.试论笔墨的肌理与肌理的笔墨[J].苏州大学学报(工科版),2000,20(2):52-55. |
| |
| 作者姓名： | 袁牧 |
| |
| 作者单位： | 苏州大学艺术学院,苏州,215021 |
| |
| 摘 要： | 中国画笔墨一方面在自身单纯的形式语言中尽力追求笔迹墨彩的肌理变化 ,另一方面又努力在自然肌理中创造新的笔墨形式 ,这种既注重自身审美因素 ,又不忘在生活中吸收营养的双重性特征 ,使得中国画笔墨不断在笔墨肌理和自然肌理中发展、充实、完善。
|
| 关 键 词： | 中国画 笔墨 肌理 |
| 修稿时间： | 2000-02-25 |
ANALYSIS ON THE NATURAL TEXTURE AND THAT OF WRITING BRUSHES AND INK |
| |
| YUAN-Mu.ANALYSIS ON THE NATURAL TEXTURE AND THAT OF WRITING BRUSHES AND INK[J].Journal of Suzhou University(Engineering Science Edition),2000,20(2):52-55. |
| |
| Authors: | YUAN-Mu |
| |
| Affiliation: | YUAN-Mu;
(College of Art of Suzhou University,Suzhou 215021) |
| |
| Abstract: | While traditional chinese painting pursues the texture variation of writing brushes and ink,it also produces the new form in the natural texture.The double characteristics of emphasizing on its own aesthetics and of deriving nourishment from daily life make the traditional chinese painting develop,strengthen and improve. |
| |
| Keywords: | traditional chinese painting writing brushes and ink texture |
| 本文献已被 CNKI 万方数据 等数据库收录！ |
|
