| 简评赫尔左格和德梅隆设计的鸟巢与安联运动场 |
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| 引用本文： | 马健强,蒋涤非.简评赫尔左格和德梅隆设计的鸟巢与安联运动场[J].中外建筑,2012(10):54-55. |
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| 作者姓名： | 马健强 蒋涤非 |
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| 作者单位： | 中南大学建筑与艺术学院 |
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| 摘 要： | 本文在对2008年北京奥运会主会场‘鸟巢’建筑设计的关注背景下,与同为赫尔佐格和德梅隆设计的德国慕尼黑安联运动场相比较。以共时性的批评模式,对不同建筑文化体系之间的两个建筑作品比较,以同一个设计团队中设计的两个不同作品比较,在不同的建筑文化体系中存在千丝万缕的联系。
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| 关 键 词： | 赫尔左格和德梅隆 “鸟巢” 安联运动场 共时性的批评模式 |
Brief Comment on Herzog&de Meuron’s work——The Beijing National Stadium and the Allianz Arena |
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| Ma Jianqiang Jiang Difei.Brief Comment on Herzog&de Meuron’s work——The Beijing National Stadium and the Allianz Arena[J].Chinese and Overseas Architecture,2012(10):54-55. |
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| Authors: | Ma Jianqiang Jiang Difei |
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| Affiliation: | Ma Jianqiang Jiang Difei |
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| Abstract: | Under the concertration of the architect design of the Beijing National Stadium for Olympics in Beijing in 2008,comparing with the Munich stadium desighed by Herzog & de Meuron,The article adopt the criticle mode of synchronicity to make comparison of the two construction from three aspacts in terms of different building culture context,the design workteam and the close relation within building cuilture systerm. |
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| Keywords: | Herzog & de Meuron Beijing National Stadium Munich stadium the critic of synchronicity |
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