| 中国山水画的产生及审美 |
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| 引用本文： | 朱华.中国山水画的产生及审美[J].浙江纺织服装职业技术学院学报,2007,6(1):84-86,90. |
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| 作者姓名： | 朱华 |
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| 作者单位： | 辽东学院服装与纺织学院,辽宁,丹东,118003 |
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| 摘 要： | 山水画产生于魏晋南北朝，这与当时动荡的社会和佛道的兴盛有极大的关系。山水画具有音乐般的节奏美，它既是运动的，又是具有音响效果的，每幅山水画都是画家捕捉到的具有最佳审美效果的动势，而且这种动势通过视觉感官引起听觉感官的共鸣；山水画具有空白美，它以虚衬实，虚实相生，虚实互动，共同完成对山水画意境美的创造。
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| 关 键 词： | 魏晋南北朝 中国山水画 产生 审美 节奏美 空白美 |
| 文章编号： | 1671-9751（2007）01-0084-03 |
| 收稿时间： | 2006-11-20 |
| 修稿时间： | 2006年11月20 |
The Origin of Chinese Landscape Painting and Aesthetics |
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| ZHU Hua.The Origin of Chinese Landscape Painting and Aesthetics[J].Journal of Zhejiang Textile & Fashion College,2007,6(1):84-86,90. |
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| Authors: | ZHU Hua |
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| Abstract: | Landscape painting originated in Wei-jin South and North dynasty and had close relation with the turbulent society and the prosperity of Buddhism. Landscape painting bears the rhythmical beauty like music, which is both motional and of stereo effect. Each landscape printing is the motion with best aesthetic effect caught by a painter and it can arouse the resonance of hearing sense through visual sense. Landscape printing also bears the beauty of blankness. The interaction of emptiness and solidness fulfills the creation of situation beauty in the landscape printing. |
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| Keywords: | Wei-jin South and North dynasty Chinese landscape painting origin aesthetics rhythmical beauty beauty of blankness |
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