吉数“3”在苗族蜡染图案中的艺术表现

 蜡染是少数民族特别是苗族传统艺术中的一朵奇葩，蜡染图案里面有很多与吉数“3”相关的艺术表现，它利用联想、以小见大、对比衬托等手法，再通过吉数“3”把其图案所描绘的事物的性质和特点直接表现出来，借彼显此，达到集中、简洁、曲折变化的表现效果。苗族劳动人民创造的蜡染把自然现象人格化、理想化、社会化，运用寓意、谐音、象征等手法，创造出图形与吉祥寓意的完美结合，呈现出了“天人合一”的思想观念，这就是吉数“3”在蜡染中艺术表现的最高境界。

Artistic expressions of lucky number ″3″ in batik patterns of Miao nationality

Batik is a wonderful work in the traditional art of the Miao nationality,and in its batik patterns there are a lot of lucky number ″3″-related artistic expressions.Such means as eye-brain system association,knowing big from small,comparison and contrast,and so on are utilized to express directly the nature and feature of the subject being described in pattern design through lucky number ″3″,realizing the artistic effect of focusing,concise,projecting A via B,variations and ups and downs.Batik patterns created by the Miao laboring people make natural phenomena personified,idealized,and socialized and the use of meaning,euphony and symbolic forms produces a perfect combination of graphics and auspicious meaning,showing the ″Harmony″ ideas which is the highest level of artistic expression of the lucky number ″3″ in the batik.