城市道路设计构思

城市道路设计，应该从道路平面几何线型、横断面各要素组成，竖向设计、交叉设施、地下管网、城市雕塑、交通标志、环境保护等方面来构思。现代化城市道路必须是交通功能良好、各项市政设施完备，园林化、绿化、美化、香化、艺术化。每条城市道路成为一座街心花园。     

英国维克菲尔德市赫普沃思美术馆

文章介绍了英国维克菲尔德市赫普沃思美术馆美术馆的设计。美术馆根据建筑基地设计条件衍生出一个无主立面的形态,看似由多个不规则体量交融而成的集合体,这种安排实则满足了美术馆内部功能组织需求,大小形态各异的单元体代表各自独特的空间,与周围沿河分布的磨坊及仓库等老建筑环境融为一体。     

场地与雕塑的博弈 维格兰公园与奥林匹克雕塑公园比较研究

从雕塑的概念出发,提出近年来全国各地频频建造雕塑公园所存在的问题。通过对国外两处著名案例：维格兰公园和奥林匹克雕塑公园的对比分析,总结其在地形塑造、空间营造、游线组织等方面的特点。在雕塑公园设计中,场地与雕塑存在博弈关系,并体现在主题确立、游览序列组织等方面。在此基础上,对国内雕塑公园建设提出若干建议。     

谈中国现代园林景观雕塑的民族化意识

现代园林是在有限的空间内创作丰富耐看的景观,以满足观者审美心理的需要。古今中外的优秀雕塑艺术是一种文化形态,它能赋予人们以人文内涵与艺术熏陶。作为具有深厚文化传统的中华民族,开发与运用传统文化资源促进中国现代园林雕塑艺术的发展是极为重要的。     

Recombinant Landscapes in the American City

How are urban actors, such as landscape designers, community groups, developers and local politicians, actively restructuring their environments to meet the challenges of the American city in the new global context? Grahame Shane outlines the approaches to landscape that have been emerging since the mid-20th century and are set to recombine urban assemblages whether they are located in historic city centres, postindustrial waterfronts or suburban sprawl. Copyright © 2007 John Wiley & Sons, Ltd.     

Site/Non-Site: Extending the Parameters in Contemporary Landscape

As the world teeters on the verge of environmental collapse, landscape architecture has taken on a new significance offering a longed-for sanctuary for our increasingly urbanised lives. Here, in his introduction to the issue, guest-editor Michael Spens explains how by taking its impetus from land art, landscape architecture, as an expanded field, transcends the conventional confines of site. This renders it possible to read architecture ‘as landscape, or as non-landscape, as building becomes non-site’ and the ‘site indeed materialises as the work per se’. Copyright © 2007 John Wiley & Sons, Ltd.     

“虚空之辨”关于西班牙雕塑家爱德华·奇伊达（1924～2002）

文章以现代雕塑史上两种类型的“虚空”为主要线索,简要回顾了西班牙雕刻大师爱德华·奇伊达的艺术历程,并着重介绍了其对空间和材料的认识。这为我们理解其作品与思想能够赋予建筑师以原创力的原因提供了依据。     

The development of robot art

Going through a few examples of robot artists who are recognized worldwide, we try to analyze the deepest meaning of what is called “robot art” and the related art field definition. We also try to highlight its well-marked borders, such as kinetic sculptures, kinetic art, cyber art, and cyberpunk. A brief excursion into the importance of the context, the message, and its semiotics is also provided, case by case, together with a few hints on the history of this discipline in the light of an artistic perspective. Therefore, the aim of this article is to try to summarize the main characteristics that might classify robot art as a unique and innovative discipline, and to track down some of the principles by which a robotic artifact can or cannot be considered an art piece in terms of social, cultural, and strictly artistic interest. This work was presented in part at the 13th International Symposium on Artificial Life and Robotics, Oita, Japan, January 31–February 2, 2008     

分段沉积/雕铣成型的工艺规划

分段沉积/雕铣成型技术是快速原形结合传统加工方法的一种新的工艺,兼有快速原形的高柔性和传统加工的高精度。本文就分段沉积/雕铣成型技术中零件的分段、薄壁件的加工、尖角的加工、曲面的加工等一些特殊工艺进行合理的工艺规划,提出解决措施。     

分段沉积/雕铣快速原型制造中的工艺控制研究

阐述实体分段堆积成形,论证基于堆积成形与传统CNC加工相结合的复合成形方法的可行性。在此基础上,分析该工艺中支承材料和工件材料满足匹配关系的重要性及材料变形问题,并提出相应控制措施。