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1.
The importance of cultural heritage for supporting the knowledge economy has promoted its digitisation and online publication. Many cultural heritage repositories have published millions of digitised items using semantic web technologies and Linked Data approaches. These repositories frequently use knowledge organisation systems to classify the resources, but the domain heterogeneity makes it difficult to know if they are the most suitable ones. This paper describes the process used to discover and profile the knowledge organisation systems used in the cultural heritage domain. Additionally, for those knowledge organisation systems with a thesaurus-like structure, a detailed quality analysis is performed. The results of this analysis can be used as a key factor for the selection of knowledge organisation systems in classification tasks. 相似文献
2.
Trinidad Rico 《Material Religion》2019,15(2):148-163
AbstractIn this article I argue that the study of cultural heritage preservation practices in the context of Muslim societies has been constructed—and obstructed—through specific historical trajectories and challenges. These originate within the field of cultural heritage preservation, through its own history and principles which have complicated the interplay between heritage and religious values and uses. As a result, situated studies of preservation practices in and by Muslim communities are in their infancy. In this article I revisit the points of contact between the emergence of a Eurocentric preservation dogma and its encounter with different articulations and practices related to Islam that are now approached as part of heritage assemblages and debates. I consider specific biases inherent in these discourses and propose, as a result, to approach the study of Islam and heritage in its own terms—rather than as an alternative to Western preservation paradigms. 相似文献
3.
《Journal of the European Ceramic Society》2020,40(13):4676-4683
The Yaozhou kiln complex is a representative production center of ancient northern China, famous for the celadon production. In this work, bubbles, glassy matrix and residual crystals of celadon glazes produced from the Tang to Yuan Dynasty were analyzed by using optical microscopy, Raman spectroscopy and scanning electron microscopy-energy dispersive X-ray spectroscopy (SEM-EDS). The results revealed that the Song, Jin and Yuan productions present bigger bubble and higher area ratios of the Si-O bending over stretching modes than the Tang and Wudai productions. This is consistent with firings at higher temperatures during Song, Jin and Yuan Dynasties. It is also in agreement with the historical studies, which revealed the change from wood-firing to coal-firing during Song Dynasty. The observation of calcium phosphate in Yaozhou productions indicated that the glaze ash had been used. No iron-based particle was identified by Raman spectroscopy in the glazes of all periods. The green color is certainly due to iron ion dispersed in the glassy matrix. Our study also confirmed no significant change in glaze raw materials used for Yaozhou productions from Tang to Yuan Dynasty. 相似文献
4.
Tania Martellini Chiara Berlangieri Luigi Dei Emiliano Carretti Saul Santini Angelica Barone Alessandra Cincinelli 《Indoor air》2020,30(5):900-913
Indoor Air Quality monitoring in cultural institutions is of particular concern to protect these places and the cultural heritage content. An indoor monitoring campaign was performed in three museums in Florence (Italy) to determine the occurrence and levels of volatile organic compounds (VOCs). VOCs of interest included BTEX (benzene, toluene, ethylbenzene, xylenes), terpenes, aldehydes, organic acids, and cyclic volatile methyl siloxanes (cVMS). The most abundant VOCs in all samples analyzed were BTEX, which were strictly related to the traffic source, followed by siloxanes and terpenes. Among BTEX, toluene was always the most abundant followed by xylenes, ethylbenzene, and benzene. cVMS in exhibition rooms with the presence of visitors showed higher values compared to samples collected when the museums were closed. Terpenes showed not only the influence of vegetation-biogenic sources surrounding a museum but could also be related to the wood used for the construction of showcases and furniture and the use of cleaning products. Data obtained also showed the presence of organic acids and aldehydes whose source can be traced back to exhibits themselves and wood-based furniture. Assessing the levels of organic acids in museums is important because, over time, it can cause deterioration of the artifacts. 相似文献
5.
Digitally reconstructing Van Gogh's Field with Irises near Arles part 3: Determining the original colors 下载免费PDF全文
Eric Kirchner Ivo van der Lans Frank Ligterink Muriel Geldof Luc Megens Teio Meedendorp Kathrin Pilz Ella Hendriks 《Color research and application》2018,43(3):311-327
In earlier articles, we determined the spatial distributions and concentrations of all pigments used by Van Gogh in his painting Field with Irises near Arles. The colors of some pigments are expected to have changed over time, especially those of chrome yellow, cochineal, and eosin lake. For all pigments in this painting, we made physical paint reconstructions by following historical sources on raw materials and production processes, and we determined their optical properties. We combined this with pigment concentration maps to reconstruct the original colors of the painting digitally. When substituting the reconstruction paints into the calculations, we found that technical‐scientific data was not sufficient to resolve several issues. In those cases, discussions within the broad interdisciplinary team allowed us to make informed decisions. These issues refer to the representation of the sky area, and the original contributions of the red lake pigments to local colors. The digitally reconstructed colors of the painting show that due to discoloring of red lake pigments, the irises in the field have changed from a warm purple to purplish blue, and many pink spots in the field have turned to white. The range of yellows in the field has decreased and partly turned to dark brown. The digital reconstruction gives a better understanding of the color scheme used by Van Gogh when compared to remarks the artist made in letters when describing this painting. Also, the original color composition is seen to be aligned with color theories on which Van Gogh based his work. 相似文献
6.
This review presents the results of a conference on ikat textiles organized in the context of the exhibition Striking Patterns: Global Traces in Local Ikat Fashion at the Museum der Kulturen Basel, Switzerland (October 2016 to March 2017). Academics and professional experts, some of them working for NGOs, debated often neglected potentialities as well as the future of contemporary ikat design and other intricately patterned handwoven textiles: the significance of new patterns; intellectual property rights; and educational encouragement. The general focus lay on the controversially perceived innovation of textile patterns in Indonesia and Timor-Leste. We will here present the main arguments of the discussion and our own suggestions for further research. 相似文献
7.
Xavier Kurten (?–1840) was a Prussian landscape gardener who worked for the Savoy family in the Piedmont region of Italy in the first half of the nineteenth century. He designed or redesigned all royal parks, creating a specific style based on the English naturalistic garden approach. This research was performed with the aim of investigating the development of the English landscape garden in Italy. Historical documents relating to Kurten’s biography and his work in Piedmont, including plans, were collected and analysed. We analyse and discuss the features that characterised his work: the relationship between the landscape—garden—house, the path system, the use of water, the vegetation, and the garden as a productive landscape. Kurten’s style is compared with the projects of William Kent and Lancelot ‘Capability’ Brown. 相似文献
8.
Hanne Van den Berghe W. Gheyle B. Stichelbaut T. Saey N. Note M. Van Meirvenne 《Landscape Research》2019,44(4):351-373
The First World War (WWI) had a notable influence on the landscape at the former Western Front in Belgium. Research on a landscape scale is necessary to understand the destructive and constructive impact of the war and its consequences for the post-war landscape in a holistic manner. This paper focuses on the trajectory and impact analysis of three study areas with contrasting landscape types and aims to indicate possible preserved military relics today. Therefore, landscape changes are studied using historical aerial photographs (WWI and WWII) and contemporary orthophotos. A military landscape characterisation is made based on land use/land cover and linear structures that were mapped throughout time. Specific landscape trajectories could be designated as areas with a possible preservation of WWI heritage, with a related impact degree. The results are useful for sustainable heritage management and for further interdisciplinary research on WWI-heritage, by providing a broad knowledge of the area. 相似文献
9.
线性文化遗产保护的重要性和迫切性已成为共识。以明长城大同段为研究案例,综合现有文化遗产分类方法进行遗产要素分类与识别,利用空间信息技术和不同遗产价值评价体系进行资源评价与分析,并总结多级别遗产点的地理空间分布规律。基于"核心保护与多级别缓冲"保护格局,结合实际问题和相关法规文件从宏观层面提出横向层级式、纵向组团式的空间格局,最后针对不同层次的遗产区域组合,制定实操性较强的保护策略。借此为中国线性文化遗产保护的空间格局规划理论与技术研究提供经验,以完善中国文化遗产保护体系。 相似文献
10.
关于城市工业遗产的保护和利用 总被引:8,自引:0,他引:8
工业遗产是城市的一种特殊语言,是一种特殊的历史记忆与景观,具有巨大的经济、社会人文与生态效益.对待已认定或尚未认定的工业遗产,我们需要从更广泛的层面、采取更灵活的方式进行保护,挖掘工业遗产潜在的价值,正视民族发展进程中的文明. 相似文献