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男性作家文学作品中的女性形象--以白先勇《游园惊梦》为例
引用本文:王艳蕾.男性作家文学作品中的女性形象--以白先勇《游园惊梦》为例[J].湖南工业职业技术学院学报,2013(4):81-83.
作者姓名:王艳蕾
作者单位:福建江夏学院,福建福州,350108
摘    要:本文以白先勇《游园惊梦》为例,探讨男性作家阴性书写策略下所呈现出来的女性角色究竟是怎么样的心理状态呈现。结果发现,如何才能如实的展现女性微妙心理?并非仅只取决于作家个人的生理性别,而是作家在书写时是否泯除了因性别不同而来的差别待遇,达致理论派回返阴阳合一的完美内在和谐,这种理想追求只是逃遁入雌雄同体的妄想当中,性别的越界可标示理论思考与文本阅读策略,也可能进一步模糊了或强化了边界的存在,实是值得我们深思的。

关 键 词:男性作家  文学作品  女性  《游园惊梦》

Women Images in Literary Works--Bai Xianyong"Peony Pavilion"as an example
WANG Yan-lei.Women Images in Literary Works--Bai Xianyong"Peony Pavilion"as an example[J].Journal of Hunan Industry Polytechnic,2013(4):81-83.
Authors:WANG Yan-lei
Affiliation:WANG Yan-lei (Fujian Institute of Jiangxia, Fuzhou 350108 Fujian)
Abstract:Based on Bai Xianyong"Peony Pavilion"as an example, to explore male writers feminine writing strategy to show the role of women what is psychological state. The results found, how to show women's subtle psychological can truthfully? Not only depends on the writer's personal sex, but a writer in writing whether eliminates due to gender discrimination, to return to the Yin and yang theory perfect harmony within a, this ideal just escape IO consubstantial delusion, gender transgression of marking theory and text reading strategy, may also further conflict or strengthen the boundary exists, it is worth our consideration.
Keywords:male writers  literary works  female  "Peony Pavilion"
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